Dream house

Hello everyone. I am feeling rather tentative about blogging today, as I see the threatened 'new look' has arrived on my dashboard! Untechnical at the best of times, I am not quite used to it all yet. How are you finding it?

This week brought good news about the sale of another story to People's Friend magazine. It's always exciting to see how they present it on the page, and I know they will have a lovely illustration to go with it when it is published. In the meantime, I would like to show you the picture that inspired me to write it.

I bought this print in an antique shop a few months ago. The minute I saw it I thought that this would be my dream house, with the overflowing garden and the sea in the background. I also knew that if I looked at it for long enough I would find a story to set there. I will use the money I earned from the story towards seeing new places in the summer. Those are sure to provide me with more stories too. Don't they say you must speculate to accumulate? Oh well, any excuse to spend money, really.



The One and Only

One of the nicest things about being published in magazines is seeing how a story has been set out and illustrated. I am always keen to know whether the characters pictured will match up to how I imagined them when I was writing. They are sometimes quite different, but I am never disappointed.

In the latest People's Friend Fiction Special, I am especially lucky that alongside my story, 'The One and Only', is a short piece about the man who illustrated it, Mike Italiaander. Thank you Mike! I really enjoyed reading this fascinating 'Meet the Artist' slot. It's also a reminder that it takes the skills of many people to bring a story to the page.

My writing continues to plod along at its current slow pace. My submissions are right down as a result, but I am enjoying allowing myself more time to think hard about each story. One of my problems is that I have too many ideas. Maybe some people wouldn't see that as a problem. But I have spells of feeling very frustrated that I cannot use every single idea.

Because of the number of ideas that overwhelm me, I tend to try and use too many of them in one story. Taking stories more slowly has made me realise that I don't need to throw in more and more ideas. What I need to do is go into the original idea more deeply instead of flitting off at a tangent. We're always learning, aren't we, which is one of the reasons why I don't think I will ever be tired of writing.

Here's me, gazing philosophically into a river on a freezing February day!

Chasing rainbows

Picture of a double rainbow we saw here a few weeks ago. Squint closely. There are two rainbows there, honestly, although the second is quite faint above the brighter one. I think this is supposed to bring luck!

We were not so lucky when the new next door neighbour ran into our car on Sunday. Is this judgement on me for laughing when a neighbour down the road reversed into THEIR neighbour's car?

Monday brought an email from People's Friend, accepting a story, so I am in forgiving mood. This story has been a long time in the telling. I began writing it a whole two years ago. Something was wrong with it - but what? I didn't know. Into the drawer it went. This summer I took it out again. Straight away I saw that one of the main characters wasn't really a very nice person. Not only was he making the story too complex, he also had a snide air about him which was totally wrong for a People's Friend story. Once I'd written him out, all my characters were much happier and able to get on with their lives.

Maybe a bit of the rainbow's luck did fall on Zigzag Road after all. Just as well, since I had a shoe splurge at the weekend!

Wishing you rainbows - especially double ones.